Play, 1893

A Woman of No Importance: Characters

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Characters

  • Painted portrait of Lord Illingworth

    Lord Illingworth

    Charm without conscience

    Born George Harford, a younger son who came into the title about four years before the play begins, he is the most brilliant talker at Hunstanton and turns every subject into a paradox. Twenty years ago he refused to marry Rachel Arbuthnot when she was carrying his child. Meeting Gerald by chance, he takes to him and offers him a post; on learning the truth, he wants his son. He loses him through his own attempt to kiss Hester.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Mrs Arbuthnot

    Mrs Arbuthnot

    The mother with a past

    Rachel, who left her father's house at little over eighteen with George Harford on his promise of marriage. She left him after their son was born and has lived for twenty years at Wrockley under a name she has no right to, working among the poor and going to church. She loves Gerald with a fierceness bound up with her shame, refuses to marry his father even when he offers, and in the last scene strikes him with his own glove.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Gerald Arbuthnot

    Gerald Arbuthnot

    The ambitious son

    A clerk in a small provincial bank on a hundred a year, he has not been to Eton or Oxford like other young men and is dazzled by Lord Illingworth's offer and his talk. He loves Hester. Told his mother's story as if it were a stranger's, he blames the girl. Once he knows the truth, he demands that his father marry her, until his mother and Hester show him why that would be wrong.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Hester Worsley

    Hester Worsley

    The American Puritan

    An American orphan of eighteen, rich from her father's fortune and staying at Hunstanton, who says exactly what she thinks. In the drawing-room she condemns English society and demands that men and women who sin be punished alike. Lord Illingworth's attempt to kiss her brings the truth about Gerald's birth into the open. In the last act she takes Mrs Arbuthnot's side, gives up her harsh creed, and offers Gerald her love and her fortune.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Lady Hunstanton

    Lady Hunstanton

    The forgetful hostess

    Jane, the kind and muddled mistress of Hunstanton Chase, is forever half-remembering old scandals and forgetting whether a man died of joy or gout. She believes good of everyone, enjoys Lord Illingworth's talk without understanding a word of it, and thinks of Mrs Arbuthnot as a sweet saint. Her gossip about the Harford family is what tells Mrs Arbuthnot that Lord Illingworth is George Harford.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Mrs Allonby

    Mrs Allonby

    The clever flirt

    A married woman with a quick, daring tongue who, as Lady Hunstanton tells her, never means a single word she says. She finds her husband Ernest tedious, describes the Ideal Man in a dazzling speech, and spars with Lord Illingworth as his equal. Her remark that the Puritan would never let him kiss her sets off the crisis of the third act.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Lady Caroline Pontefract

    Lady Caroline Pontefract

    Propriety in command

    Sir John's wife and a stickler for what is done, she disapproves of Mrs Allonby, American girls and people who work for their living, and keeps her husband in mufflers and overshoes. She never gets Mr Kelvil's name right. She calls her brother, Lord Henry Weston, infamous but forgives him for his cook, and in the third act hunts the house for Sir John.

    Appears in: The Persons of the Play, Act I, Act II, Act III

  • Painted portrait of Sir John Pontefract

    Sir John Pontefract

    The managed husband

    Lady Caroline's husband, fussed over and ordered about whenever she can see him. His one steady task is correcting her about Mr Kelvil's name. Mrs Allonby says he is Lady Caroline's fourth husband. Out of her sight in the evening he is reported with Lady Stutfield and turns up with Mrs Allonby, who says he talked to her about Patagonia.

    Appears in: The Persons of the Play, Act I, Act II, Act III

  • Painted portrait of Archdeacon Daubeny

    Archdeacon Daubeny

    The cheerful clergyman

    The rector at Hunstanton, who regards Mrs Arbuthnot as his right hand in the parish. He talks happily of his invalid wife, who is deaf, losing her sight, crippled by gout, living on jellies and remembering only her childhood, and insists each time that she is never morbid and has nothing to complain of. He leaves early because Tuesday is one of her bad nights.

    Appears in: The Persons of the Play, Act II, Act III

  • Painted portrait of Lord Alfred Rufford

    Lord Alfred Rufford

    The idle young man

    A young man about town who smokes gold-tipped cigarettes he can only afford when he is in debt. Debt, he explains to Lady Stutfield, gives him something to think about, and it is no trouble, since his creditors write and he does not. He attaches himself to Lady Stutfield and has little else to do in the play.

    Appears in: The Persons of the Play, Act I, Act II, Act III

  • Painted portrait of Mr Kelvil

    Mr Kelvil

    The moralising politician

    A Member of Parliament who spends his mornings writing on Purity and believes women are always on the side of morality. He praises the beauty of English home life while his wife and eight children stay at the seaside without him. Lady Caroline keeps calling him Mr Kettle. His secret of life is to resist temptation, and Lady Stutfield recalls him talking to her about Bimetallism.

    Appears in: The Persons of the Play, Act I, Act III

  • Painted portrait of Lady Stutfield

    Lady Stutfield

    The eager echo

    A soft, admiring guest who echoes whoever is speaking, doubles her words ('very, very', 'quite, quite') and finds every remark helpful. She admires men with square chins and believes the secret of life is to appreciate the pleasure of being terribly, terribly deceived. Lady Hunstanton calls her very sympathetic: just as sympathetic about one thing as about another.

    Appears in: The Persons of the Play, Act I, Act II, Act III