Play, 1883

The Duchess of Padua: Characters

Read The Duchess of Padua

Characters

  • Painted portrait of Beatrice, Duchess of Padua

    Beatrice, Duchess of Padua

    Love that turns to murder

    The Duke's young wife, married to him in exchange for three towns he never gave up. She is kind to the poor, lonely and bullied, and loves Guido from the first day she sees him. Believing her husband is the barrier between them, she stabs him in his sleep, then accuses Guido when he rejects her. She repents, confesses to judges who will not believe her, and drinks the poison meant for Guido to save him.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV, Act V

  • Painted portrait of Guido Ferranti

    Guido Ferranti

    The son sworn to vengeance

    The son of Duke Lorenzo of Parma, raised in ignorance of his birth near Perugia. He swears to kill the man who sold his father and gives up his friend Ascanio to do it, but love for Beatrice teaches him mercy and he resolves to spare the Duke. Horrified by her crime, he still takes it on himself in court, refuses her offer of escape and dies by her side with her dagger.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV, Act V

  • Painted portrait of Simone Gesso, Duke of Padua

    Simone Gesso, Duke of Padua

    Cynical tyrant and betrayer

    The old Duke who sold his friend Lorenzo to the scaffold for cities and lands. He is witty, cruel and entirely without scruple, teaching Guido that every man has a price and that conscience is cowardice. He mocks the starving citizens and the Cardinal, and threatens his wife with the fate of his second Duchess. Beatrice stabs him in his sleep on the night Guido resolves to spare him.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Count Moranzone

    Count Moranzone

    Revenge in person

    Once one of Parma's noblest princes and Lorenzo's loyal friend, now lord of a barren castle on a rock. He saved the infant Guido and reared him for revenge, and he binds the young man by oath, parts him from Ascanio and scorns his talk of love. When he tells the Duchess his name is Revenge he is describing himself. At the trial he sees Beatrice's guilt at once and tries to save Guido.

    Appears in: The Persons of the Play, Act I, Act II, Act III, Act IV

  • Painted portrait of Ascanio Cristofano

    Ascanio Cristofano

    The discarded friend

    Guido's closest friend, a yeoman's son who has followed him from Perugia to Padua. Hungry, thirsty and full of jokes, he speaks in prose and offers to serve Guido for love if Guido proves to be nobly born. At Moranzone's command Guido sends him away for ever, and he leaves calling his friend unknightly and ungenerous. His loss is the first price Guido pays for his oath.

    Appears in: The Persons of the Play, Act I

  • Painted portrait of Andreas Pollajuolo, Cardinal of Padua

    Andreas Pollajuolo, Cardinal of Padua

    Mercy without power

    The Cardinal of Padua, whose long sermons the Duke mocks. He asks the Duke to hear the citizens' grievances and to feed the sheep rather than shear them. At the trial he tells Guido that he has no power over the secular law and can only offer prayers for his soul, but he reproaches the Duchess for her cruelty and reminds her that the Church ordains forgiveness of enemies.

    Appears in: The Persons of the Play, Act II, Act IV

  • Painted portrait of Bernardo Cavalcanti, Lord Justice of Padua

    Bernardo Cavalcanti, Lord Justice of Padua

    The law unmoved

    The Lord Justice who tries Guido for the Duke's murder. He refuses to let the Duchess bend the law, reminding her that even a common murderer may plead, and finds the statute that gives Guido, as a foreigner, the right to speak. He keeps her in court by force of law, times Guido's speech with a sand glass and sentences him to die that night.

    Appears in: The Persons of the Play, Act IV, Act V

  • Painted portrait of Hugo, the Headsman

    Hugo, the Headsman

    Death with courtesy

    The executioner who stands behind Guido throughout the trial with his axe. He tells Guido that words will not blunt its edge, but advises him to appeal to the kindly Cardinal and promises to do him his last service on earth, so that Guido remarks that this man whose trade is death has more courtesy than the rest. The soldiers call him stout Hugh.

    Appears in: The Persons of the Play, Act IV, Act V

  • Painted portrait of Mistress Lucy

    Mistress Lucy

    The Duchess's gossiping maid

    The Duchess's tirewoman, who brings news from the palace to the crowd in the Court of Justice. She muddles dates and omens, from burned cakes to a moth in the candle, and reports that her mistress paced all night and would not sleep for fear of dreaming. She also lets slip that the Duke was killed with the Duchess's own dagger.

    Appears in: The Persons of the Play, Act IV

  • Painted portrait of Maffio, Jeppo and Count Bardi

    Maffio, Jeppo and Count Bardi

    The Duke's gentlemen

    The gentlemen of the Duke's household, who bear his sneers in asides and trade gossip and easy philosophy among themselves. At the trial they watch the Duchess with fascination, comparing her to a white tigress. Maffio draws his sword to clear her way out of the court until the Lord Justice threatens death, and Count Bardi is sent secretly to get a horse ready for Venice.

    Appears in: The Persons of the Play, Act I, Act II, Act IV

  • Painted portrait of Citizens and soldiers

    Citizens and soldiers

    The hungry, joking crowd

    The people of Padua, who riot against the Duke, beg for bread and cheer the Duchess who feeds them. Dominick and Anthony comment on the trial in comic prose, full of mangled logic about law and justice. In the last act the soldiers guarding Guido dice and joke about the Duchess and the headsman, and explain that a gentleman may drink poison rather than face the axe.

    Appears in: The Persons of the Play, Act II, Act IV, Act V